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Photo by Keith Hood |
“These are holy moments, a sacred communion,” Junot Diaz said
as he began his November 11, 2012 talk at Lighthouse Writers* in Denver. He was referring to the brief time he was
about to spend with dozens of people crowded into the lower-level grotto of this
historic Denver brownstone.
“Trust is essential in the teaching process,”
Diaz told us. “It usually takes weeks, not just a couple hours.”
Of
course, the fact that Diaz has not only received a Pulitzer Award for his novel The Brief Wondrous Life of Oscar Wao, but was also just recently awarded a $500,000 MacArthur
Fellowship, meant we were all pretty
much ready to trust his genius, as well as his good intentions. I think the fact that we trusted him right away might also have had something to do with the affectionate way he held his coffee cup.
That’s all we had with him Sunday, though—a little more than a couple of
hours. Within moments, Diaz challenged
us to take the truths we thought we knew—those self-righteous belief systems
about ourselves—and turn them inside out.
“Truth that doesn’t challenge our
arrogance is no truth at all.”
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Photo by Keith Hood |
With his authenticity
firmly established, he jumped into the meat of the session. But first, a couple of disclaimers from me. The quotes in these notes are
not verbatim. They are not
transcribed from a recording of his talk, but rather were typed in the heat of
the moment while I was listening. And
the moments were heated, as in intense—Diaz is passionate about
literature.
He told us emphatically and
numerous times that “literature saved me.” He also had an endearing way of softly
drawing out the word, “Yeah…” –as a
question, an entreaty, a challenge, an affectionate way of softly wrapping his
oral arms around the audience. “Yeah…you know what I mean…yeaaaah?”
At the end of our time with him, he softly cajoled us, “Guys? Questions? You gotta have some
questions."
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Photo by Keith Hood |
Second disclaimer, Junot
didn’t talk about the use of the “N” word in his writing (google “Diaz and the N
word” and you’ll find some interesting reading, like this blog on Race
and Speculation). Diaz also had an endearing way of using the “F” word, not
just in his literature, but conversationally.
I’m including a few uses here because … well, to censor it would be
just, well … wouldn’t be very Diazish, now would it?
Want to read more about Junot's talk? Go to my NEWS page and download Junot Diaz on Fear and Control in Writing.
*Page Lambert’s notes were taken November 11, 2012, in
Denver, Colorado, during the
Lighthouse Writers sponsored event, “Junot Diaz on
Fear and Control in Writing.”
Thank you
Andrea and Michael and all the Lighthouse staff! And thank you Keith Hood for the use of your photos.
Comments
Inspiration and practicality in equal measure. Ok now... pen to paper!
Thanks,
Monica