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The Kindness of Mister Rogers, The Wonder of Nature

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I was only a little surprised when I read in Mary Pflum Peterson's piece in The Washington Post that her 21st century kids liked, really liked, the original Mister Rogers. So much, in fact, that they binge-watched all the old episodes with her.

"He likes kids, Mommy,” her daughter said. “Kids know when a grown-up likes them.”

But it was her youngest son's comment that got my attention. 
“And he’s not too loud,” her son added. “When we watch him, there’s no noise. You don’t have to worry about anything.”
Our modern world is, most often, a noisy place. Which is not the same as being filled with sound. And for Peterson's son, noise is worrisome. 
We live on the edge of a forest, and rarely is the forest silent. Fall is filled with the sounds of chickadees caching their winter supply of seeds and insects, black Abert's squirrels trying to outrun the red fox squirrels, crows warning away intruders. 
As I sit here in the quiet stillness of our log home, snow is sliding …

Isn’t that the whole freaking point of fiction?

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If you read fiction, chances are you’re drawn now, more than ever, to stories that help you escape today’s polarizing politics. Nostalgic stories. Futuristic stories. Stories that draw you into worlds other than your own.

Penguin Random House editor Sally Kim, during a panel in New York City at this year’s BookExpo (the industry’s mega trade event), suggested to the audience that readers are urgently craving perspectives that are not their own.

“Which, of course,” she said, “is the whole freaking point of fiction.”

So why is it so hard for us, when it comes to politics, to lift the cloak of opinion from our own back and crawl inside someone else’s skin—just for a minute?

We do it all the time when we read fiction—we jump from one character’s point of view to another’s without batting an eye. We lose ourselves in a scene where the author takes us deep inside the heroine’s innermost desires, and them—bam—we’re taken inside the mind of the man who’s about to break her heart, and we under…

On the road again!!

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Nature & Words is on a summer sabatical, which is to say that I just "got off the river" after my 22nd annual "River Writing Journey for Women," which featured renowned sculptor Roxanne Swentzell as my featured artist, 21 other amazing women, an ancient canyon, a river following an ancient bed to the sea, and .... 


Now I'm on the road again, heading to New Mexico with my husband John Gritts to lead our 7-day, "Santa Fe & Taos Sojourn: Sacred Lands, Sacred Art, Sacred Words" retreat.


Wishing you safe travels if you're on the road, and sequestered moments of creativity if you're close to home.
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Honoring N. Scott Momaday, Honoring Our Ancestors

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NEW YORK, NY — Pulitzer Prize-winning novelist, poet, playwright, and professor N. Scott Momaday, Ph.D., accepted the 2019 Ken BurnsAmerican Heritage Prize at an event held at the American Museum of Natural History. May 2019. 
Last week my daughter Sarah, visiting from Oklahoma, took home with her a chest filled with her great-grandmother’s antique grape-patterned silverware, and a portrait of her great-grandmother taken when she was a young newlywed. An antique pewter broach from this same great-grandmother had been the center piece of my daughter’s wedding bouquet.
While organizing the silver, I shared a few family stories with Sarah. “Could you write them down, Mom?” she asked. She wanted to share the stories with her daughters when they were older. I printed out a chapter I had written for The Light Shines from the West, a book on the rural American West, which included this story:
"As a young woman, my Missouri-born grandmother knew both physical isolation and sensory depriv…

On the River with Joy Harjo, Our New U.S. Poet Laureate

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When women gather at the river, something rather wonderful happens. Like eagles, we have  been gathering at the river for thousands of years. To bathe our children. To wash our clothes. To gather water for drinking, for ceremony, for cleansing. Even, like the eagles, to catch the fish we will feed our families.

Six years ago, 18 of us gathered on the Colorado River with Joy Harjo. We laughed. We bathed. We danced. We wrote in our journals. We asked, "How do we know when a story ends?"

In "Eagle Poem," Joy writes about eagles that soar over rivers, sweeping our hearts clean with sacred wings. She writes about the eagles that "round out the morning" in each of us.

On Day 2 of the river trip, we hiked to the top of a steep rim above the river. "Rocks calm me," I wrote in my journal, "because of their stillness. The wind is speaking a gentle language, whispers...." Joy sat on the edge of the rim with her flute, her notes rounding out the …

Breaking Bread: Sapiens and the Three Daughters of Eve

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WATER MASK, Alaskan Stories from the Heart

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