Helen Keller and the Man Who Tasted Like Night
TODAY, reading Rosie Sultan’s debut novel Helen Keller in Love, I thought about
the scene in Black Beauty when the
barn catches on fire and Black Beauty’s groom covers the horse’s eyes with a
scarf and leads him outside to safety. Black Beauty’s shrill whinny pierces the darkness and gives his stable mate
Ginger, still trapped inside the burning barn, the courage to run through the
flames.
In the opening chapter of Helen Keller in Love, Helen is
waiting to elope with her secretary Peter. “I wait under a night sky pocked with stars I
cannot see. I lean forward on the porch …
the air vibrates against my skin … I cannot account for my behavior.”
Like horses, humans fear what we do not know, but Helen
Keller is not referring to fearful behavior. Living in darkness has not made her afraid;
it has made her lonely. She isn’t
running away from danger –she is running towards
life. Outrage fuels her political activism, but it
is desire and loneliness that fuels this illicit love affair with Peter.
“I’ve never told this story… I was tired of being perfect
Helen Keller... Last summer I met a man who awoke all sorts of demons mad
cravings in me. A man who tasted like
night.”
Our behavior tells us a lot about ourselves. If you’re an intuitive writer like Rosie Sultan, behavior also tells you a lot about your characters.
Andre Dubus at Lighthouse Writers Event, Denver Feb 2012 |
Andre Dubus III, author of House of Sand and Fog, reminds his students that “Characters drive the story because the details of a story are influenced by the people in it. Write with character, not about character. Use concrete, specific sensory details.”
Helen spells into Peter’s hand, “I live in a tangible
white dark. My blind world is not shot
through with blue, sultry green, or shouting red. But neither is my world black. It is not a
casket; it does not close over me like death.
No, my world is more a deep fog, rough to the fingers, the color of
flesh.”
Ironically it is ultimately love, more than blindness or
muteness or deafness, which inspires fear in Helen. Not a fear of physical danger, but a fear
that rattles the foundation of all she thinks to be true about her life.
Tossing aside the blinders placed on her life
by her overprotective "miracle working" caretaker, for the first
time, Helen Keller touches her own desire. “I’d never felt so alive—or
afraid.”
Andre Dubus has a formula for his fiction that goes like
this: CSSD > CT = STB. Concrete, specific sensory details, followed by
characters in trouble, equals story, truth, and beauty.
"The night gets cooler around me, and the silence
deeper. One hour, two, then four hours
pass. Yet I know he will come... The
longer I wait here the more the woods give off a vicious scent as morning
breaks..."
Story. Truth. Beauty. I have no doubt that Andres Dubus III will soon be a fan
of Rosie Sultan’s writing, if he isn’t already.
NOTE: Want
more? Read "Helen Keller's SecretLove Life" in Huffington Post. Want
more tips from Andre Dubus Lighthouse Writers appearance? Please leave a comment.
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